Halloween trick-or-treating: Who’s fault is it anyway?

It’s always struck me as a pretty shrewd move on the part of Nature to try and compensate for bringing an end to bright, summer warmth and inflicting chilly autumn darkness on us all by putting on an amazing display of colour.

 

It’s certainly one way to limit the moaning from people such as myself anyway as we brace ourselves for the latest round of hibernal horrors. But after a particularly warm September and October, the trees have been late to turn this year, although some pretty yellows and the odd splash of red are finally starting to make their presence felt.

 

Autumn trees
Autumn trees

So a blog carried in the latest newsletter from the Woodland Trust, a conservation charity of which I’m a member, explaining not only why the leaves of deciduous trees change colour, but also why some autumns provide better spectacles than others, struck me as rather timely.

 

In a nutshell, leaves have three pigments consisting of chlorophyll, which is green; carotenes, which are yellow and orange, and anthocyanins, which are red, pink and purple. As the days become shorter, chlorophyll production slows down and eventually stops, which allows the yellows and oranges to become visible for the first time.

 

A layer of corky cells then form across the base of the leaf stalk in preparation for shedding, which restricts the movement of sugars back to the main part of the tree. After becoming concentrated in the leaf, these sugars eventually convert into anthocyanins, giving it a more red-y hue.

 

As to what influences the variety and intensity of these autumn colours, on the other hand, that’s apparently determined by the weather conditions. Cloudy and rainy autumn days tend to lead to a more muted palette. But a combination of sunny days, cold, rather than freezing, nights, and dry weather, especially if we’ve been lucky enough to have a dry summer too, are the secret to a breath-taking show.

 

As a final, little aside though, the reason that trees shed their leaves anyway is to enable them to preserve moisture in their trunk and branches, which stops them from drying out and dying. Being without leaves also moves them into a state of dormancy, which means they need less energy to remain alive during the cold and dark winter months – a state of being that I can completely relate to as it’s not hugely different from my own during the dread winter season.

 

Anyway, at least we’ve got spooky spiders, gurning, glowing Jack O’Lanterns and sticky, frosted spider webs everywhere to cheer us up in anticipation of Halloween at the end of October. I can’t ever remember people making a particularly big deal of it when we were kids though – Bonfire Night/Guy Fawkes Night always seemed to take precedence really with its firework displays and “penny-for-the-guy” money-making schemes.

 

But lately, possibly due to the ongoing influence of US culture on all of our lives, you can’t seem to budge nowadays for small ghouls and vampires trick or treating on your doorstep. As to why they do it, it’s actually quite interesting, being derived from a much older tradition than you might think.

 

Trick-or-treating

 

The habit appears to have started with the Celts and their communal celebration of the Feast of Samhain (pronounced ‘sow-in’ as in cow) on 1 November, which was also the first day of their New Year. The word ‘Samhain’ itself is derived from the Gaelic word ‘Samhraidhreadh’, which means ‘summer’s end’. But it was also the name of the Celtic god of the dead who, on his feast day, would call together all the souls of the wicked that had died during the year.

 

The Feast itself, meanwhile, was a harvest festival to mark the gathering in of the summer crops, but also symbolised the start of winter and the season of coldness, darkness and death. The Celts always celebrated their events the evening before, which meant that 31 October was the big night – and a time when the veil between the world of the living and the supernatural Otherworld was believed to be thin.

Trick or treating
Trick or treating

As a result, malevolent spirits and the dead were able to roam the earth, where they took pleasure in playing tricks on people. So in order to protect themselves, the Celts lit massive bonfires of sacred oak branches (oak being the sacred tree of their priestly class, the Druids) on hilltops in order to frighten the spirits away.

 

As an act of appeasement, the Druids also left them good things to eat, but disguised themselves as spirits at the same time so that the real ones would mistake them for being their own kind. Hence the tradition of dressing up as scary creatures and going around asking for sweet treats – a custom that morphed in the Middle Ages into children, and sometimes poor adults, dressing up in costume and going from door-to-door at Hallowmas, as it was known then, begging for food or money in exchange for songs and prayers.

 

This activity, known as “souling”, was often rewarded with a Soul Cake. A small, round, sweet confection flavoured with nutmeg, ginger, cinnamon and raisins and often with a cross marked out on top, it represented a soul being freed from Purgatory after the cake was eaten.

 

By the late 18th and early 19th century, souling had again transformed itself into ‘guising‘. Again children dressed up and begged for things like cakes, apples or money, but rather than offer prayers in return, they would tell jokes, sing songs, play an instrument or recite a poem.

 

And it was this practice that is believed to have been brought to the US by Scottish and Irish immigrants in the late 19th and early 20th century, before changing its shape again during the 1920s and 1930s to become the “trick-or-treating” phenomenon we all know so well today. I can’t say that I’d particularly noticed that the custom had wended its way back home again until at least the 1990s or so, but it certainly seems to have taken root now.

 

So next time you feel inclined to have a whinge about American cultural imperialism or turn your lights off and refuse to answer the door to yet more “bloody kids”, just remember that we don’t have a leg to stand on really as it’s all our fault anyway.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Newmarket: The home of English horse racing

There’s nothing quite like a day at the races – particularly if you happen to go to Newmarket, otherwise known as the home of English horse racing and birthplace of the ‘Sport of Kings’.

 

So to continue the ‘great British tradition’ theme that seems to have permeated my 50th birthday celebrations so far  (although that will change somewhat when we go off on our road trip to the American Southwest and the stunning state of Arizona), my Beloved and I took ourselves off by train to the pleasant rural county of Suffolk.

 

Once at Newmarket itself, we recklessly upgraded the free tickets he’d managed to blag and sashayed elegantly from the Grandstand and Paddock to the Premier Enclosure  – with more than a pang of regret on my part for failing to dress up a bit more, it must be said.

 

Drinks at the Premier Enclosure
Drinks at the Premier Enclosure

But as the action started and our luck kicked in, the smart-casual state of my attire was the last thing on my mind. Three straight wins off the bat, followed by second or third placements in the final four races – and most of them outsiders. Incredible. Certainly a good bit of birthday fortune there. Literally.

 

In fact, we made a tidy £70 profit for our trouble – not bad for a minimum bet each way of £2, which I’d misunderstood in the first place anyway, thinking it would cost me £2 rather than the £4 it actually did. Duh.

 

And the secret to our success? Instinct – or certainly more luck than judgement anyway. So unlike many of the serious race-goers there, it was all about going for the names we liked, or at least had some connection with. None of this studying-the-form-and-being-guided-by-the-odds nonsense. But it obviously worked, which is quite something if you’re as rubbish at racing as we are.

 

Before one of races, for example, after exclaiming about the greyness of the horses and how pretty they were, we found it was actually the ‘Pantile Stud Grey Horse Handicap’. At another, we were so busy looking for my Beloved’s horse which we felt had to be at the back of the pack that we completely missed the fact it had won – until it was announced, that is, and we nearly collapsed.

 

First horse racing meetings

 

We didn’t even choose our bookie based on the odds, but more on the fact she was a woman – a relatively rare entity in such a male-dominated world even today – whose queue looked smaller than the others but who seemed nice. So we thought we’d give her a go – and again it paid off. Despite having to fork out each time we returned, she was gracious in defeat, limiting herself to a wry smile and an “Oh, it’s you two again, is it?” through gritted teeth.

 

As for Newmarket racecourse itself, it was much more expansive than we’d expected, with not just one but two racetracks: the Adnams July course that we were at, and the Rowley Mile. But the importance of the sport to the town shouldn’t be too surprising perhaps as it turns out to be the place where the UK’s first horse racing meetings ever were held – as we’d know them today anyway.

 

Newmarket's July race course
Newmarket’s July race course

While it was the Romans who first brought the idea of horse racing to our hallowed shores, for hundreds of years it was a mainly informal pursuit that tended to occur on public holidays at big, local fairs and festivals.

 

The first recorded race gatherings didn’t actually take place until the reign of King Henry II when in the latter half of the 1100s, knights, earls, barons and other assorted nobility would apparently gather at Smithfield in London for a bit of bartering at the annual St Bartholomew’s horse fair to the sound of young men galloping around the open spaces of the square and park.

 

Although racing remained a favourite royal sport for another 400 years or so, it was James I who really started it on the path to what it is today, after interest had waned during the reign of his predecessor, Elizabeth I. In 1605, he happened to be out hawking when he came across the then small village of Newmarket and decided it was the perfect spot for a bit of racing fun.

 

In fact, James spent so much time at his new amusement that Parliament petitioned him on more than one occasion to get himself back down to London to do a bit of ruling rather than playing about with his horses  – the reason perhaps that the town is still known as the sport’s true home. In fact, the Rowley Mile, which as previously mentioned is one of its racecourses, still bears his name to this day. James was, it seems, given the nickname ‘Old Rowley” after his favourite nag.

 

But where royalty goes, everyone else inevitably follows and so regular race meetings started taking place up and down the country, and silver bells began to be offered as prizes. The fact that it was de rigueur for nobility and a royal must-do also led to the moniker, the “sport of kings” being adopted, which is still used to this day.

 

A great British tradition

 

The first racing thoroughbreds didn’t appear for another 100 years or so though. Interestingly, they are all descended from three Arabian stallions imported to the UK in the early 1700s called Byerley Turk, Darley Arabian and most famous of all Godolphin Barb, which happens to be buried quite close to my home town of Saffron Walden in the tranquil setting of Wandlebury Country Park in Cambridgeshire.

Wandlebury Country Park
Wandlebury Country Park

Anyway, these stallions, which were known for their long necks, large frames and high tails, were mated with British mares to create a perfect combination of speed and endurance, henceforth making them the racing standard all over the world.

 

And by the middle of the 1700s century, horse racing had upped its game to such an extent that it had become a professional sport. Which led to various assorted aristocrats getting together in 1750 in the now-deceased Star & Garter pub on London’s Pall Mall to set up The Jockey Club in order to regulate it.

 

Their meetings moved to Newmarket a couple of years later, however, and it was from there that the Club set and administered the rules of British horse racing until 2006 when its responsibilities were passed on to the British Horseracing Authority. It still owns a good number of iconic British courses to this day though, including Newmarket, Aintree, Epsom and Cheltenham, all of which are important fixtures on the domestic and international sporting calendar.

 

Due to Britain’s former empire, which stretched its tentacles into so many corners of the world, meanwhile, horse racing proliferated around the globe. But while it transmuted into many forms based on different distances and track types, most of the breeds and regulations that control the sport are still based on our originals to this day.

 

And it’s still a hugely popular pastime here too. Worth around £3.4 billion per annum both directly and indirectly to the British economy, it is in fact the country’s second most popular spectator sport after our collective national obsession in the shape of football.

 

In fact, some would even go so far as to say that horse racing is an intrinsic part of our national identity – which truly would make it a great British tradition indeed.

 

 

Essex mysteries: Mazes and labyrinths

A Maze Festival isn’t necessarily something you come across every day. But Saffron Walden, the market town in North Essex where I live, has had three of them so far, the latest one of which took place only last weekend.

 

But there is some foundation for choosing such an apparently obscure theme to titillate tourists and locals alike – Saffron Walden, it seems, is alone in the UK in having two historic mazes within the town’s reaches.

 

The first is a turf labyrinth – even though it’s known locally as “The Maze” – located on the east side of its extensive Common, only a hop, skip and a jump from the centre of town. Built in 1699, it was apparently based on an even older version formerly sited nearby and, at an impressive 132 feet (40 metres) across, is said to be the largest structure of its kind in England.

 

The path, which is inlaid with bricks, is made up of a huge 17 circuits that visit each of the four small mounds at the labyrinth’s corners before winding itself into a higher central mound that used to be home to an ash tree – or World Tree according to the cosmic world view of the ancient Celts and Vikings.

 

The second maze, meanwhile, is a Victorian yew-hedge-based creation on the north side of town that was laid out in Italian Renaissance style during the 1840s in the lovely Bridge End Gardens – which, incidentally, were never actually attached to or designed around a house as is usually the case. So it’s a bit strange really.

Saffron Walden hedge maze
Saffron Walden hedge maze

But Saffron Walden now also boasts a third maze, newly located at the entrance to Swan Meadow car park and a stone’s throw from the local duck pond. Spelling out “Saffron Walden Amazes’ in box hedging, it includes eight finger labyrinths and mazes positioned carefully on plinths. And this new attraction was opened to great fanfare last Saturday by no less an individual than international maze guru, Jeff Saward himself, who designs, builds, researches and writes about labyrinths with his equally expert wife, Kimberley.

 

As to what the difference between a labyrinth and a maze actually is, this was revealed by the Festival’s keynote speaker, Dr Jan Sellers. Although now retired, she used to lecture in education and guidance at the University of Kent at Canterbury, where she helped create the nearby medieval-style Canterbury Labyrinth in 2008.

 

Anyway, to get to the point, it turns out that mazes have high walls and many paths to their centre, which means that their walkers often get lost. Labyrinths, on the other hand, have no walls at all and offer only one path that weaves, albeit by the most circuitous of routes, to the heart and then back again.

 

The idea, among other things, is that the twists and turns symbolise life’s journey but also require concentration to stay on the path. As a result, they help the walker to stay focused and in the present, quieting the mind and generating a kind of meditative state within, which nurtures the spirit in the process.

 

Dr Donna Zucker, associate professor at the University of Massachusetts Amherst in the US, is in fact currently researching whether labyrinth-walking can help to reduce stress levels among offenders, and whether indoor or outdoor labyrinth-walking actually proves more beneficial.

 

Labyrinth-walking

But I must say that, whatever the truth of it, labyrinth-walking certainly did something for me. I’d never tried it before, but I thought I’d give it a go when a canvas image of one was placed on the floor in the middle of the Town Hall’s Assembly Room for anyone showing an interest.

 

After taking a few deep breaths to let go of tension and forget feeling a bit foolish, I took my initial steps at the entrance point, putting one foot slowly in front of the other, heel to toe. And it was strange – as I travelled inwards towards the middle, it felt like I was leaving the everyday behind and moving inside myself.

 

In fact, by the time I reached the centre, I could feel wells of deep emotion that I’d previously not suspected. It was quite a revelation. But the journey back was no less symbolic as it represented (to me at least) the path back to the mundane, with my (rather turbulent) emotions easing as I went. An interesting experience, definitely, and one that I’d certainly like to try again.

 

Because I wonder if the labyrinth isn’t actually a Jungian-style archetype or universal mythic character found in the collective unconscious of people all over the world. The thing is that they’re symbols seen in faiths, cultures, countries and communities across the globe ranging from Europe to India and from Indonesia to the American Southwest.

 

The earliest one discovered was actually chipped into a rock face 4,000 years ago as a petroglyph in Mogor, Spain. But the Romans also used the design in their mosaic flooring, and it likewise popped up in many a European Gothic cathedral, including perhaps the most famous of all at Chartres in France, for pilgrims to wander prayerfully around.

Saffron Walden turf labyrinth
Saffron Walden turf labyrinth

By the late medieval period (1300 to 1500), however, the trusty labyrinth found itself morphing into the puzzle maze so familiar to us all today. In more recent times though, its use has expanded still further. Because labyrinths are often found to be calming, they’re increasingly being used for health and wellbeing purposes.

 

For example, labyrinth facilitator Kay Barrett and a team of helpers made a temporary structure of sand and LED tea lights for patients and staff to walk around during Mental Health Resilience Week at Addenbrookes, Cambridge, in both 2013 and 2014Pilgrim’s Hospices in Canterbury, Kent, also became the first such institution in the country to build a wheelchair-accessible, therapeutic labyrinth garden in order to benefit staff, carers and the terminally ill.

 

But for those without access to such facilities and who can’t walk one themselves, there are always finger labyrinths so you can trace the pathways using your digits as a means of meditation, prayer or just to relax.

 

In fact, Cambridge-based charity and arts centre Rowan specialises in manufacturing them to fund its activities. Its students, who all have learning difficulties, work under the direction of various artists and craftspeople to create these portable labyrinths out of wood, building up their artistic skills, confidence and self-esteem in the process.

 

And if that isn’t a great way to nurture the human spirit, then I don’t really know what is.

 

 

 

 

 

 

 

 

 

 

 

Taking afternoon tea: A great British tradition

It’s difficult to think of anything more English than afternoon tea – or “low” tea as it’s also uncommonly known.

 

With its dainty sandwiches, melt-in-the-mouth scones and multitude of pretty confections, it really is one of our most noble British institutions. So I feel it’s my duty to give heartfelt thanks to TV programmes such as The Great British Bake Off for rehabilitating the tradition and restoring it to national glory after so many years spent languishing quietly in the parlours of maiden aunts.

 

And in honour of this ritual, which has such a special place in our collective hearts these days, I decided to dedicate one of several 50th birthday celebrations to partaking of its delights. So following a recommendation from my Beloved, we plumped for a family afternoon out with both sets of parents at Luton Hoo. The former manor house in Bedfordshire was formerly owned by the Anglo-Norman de Hoo family, which a couple of generations after the name itself died out, spawned Anne Boleyn of King Henry VIII fame.

Luton Hoo gardens
Luton Hoo gardens

Anyway, not to be confused with Sutton Hoo, a renowned burial site of Anglo-Saxon royalty near Woodbridge in East Anglia, the mansion with its stunning vista, originally landscaped by none other than Lancelot Capability Brown himself, is now an 18-hole golf course and spa hotel. And the rather odd name ‘Hoo’ is less of a badly spelled question, it seems, and more of a Saxon word meaning “spur of a hill”.

 

As for afternoon tea itself, although very nice, the wealth of tiny, rich cakes made it somewhat sugar-rush-inducing, which lost it marks. As a result, it failed to make it into the global top three carefully devised by my parents and myself over several years. After jointly indulging during various trips both at home and abroad, the number one slot simply has to go to the exquisite repast provided by the Saxon Hotel in Johannesburg, which was only enhanced by its discrete and solicitous service.

 

Next by mutual agreement came the Shelbourne Hotel in Dublin, followed by Tea at the Ritz in London, which despite the cliché managed only a (very worthy) third.

 

High and low tea

 

But it all set me to wondering just where this glorious convention came from in the first place. Interestingly, while the name itself obviously refers to the beverage that sits at its heart, its application appears to be of rather more mixed heritage.

 

At the lower end of the social scale during the Industrial Revolution, when working class families came home after a wearying day at their looms and factories, they apparently sat down to a table set with all manner of cold cuts, bread, butter, pickles, cheese and, of course, the drink of the day, tea. Because the meal was partaken of at a high dining table rather than a low tea table near a sofa or chair in the drawing room like the aristocracy, however, it was known as “high tea” – a name with which afternoon tea, or low tea, is all too often distressingly confused. And as might be expected, “tea” is still the working class name assigned to one’s big evening meal to this day.

 

As to the original creator of afternoon tea as we think of it now, meanwhile, that is believed to be one Anna Maria Stanhope, Duchess of Bedford and one of the young Queen Victoria’s ladies-in-waiting. Because the upper class lunchtime meal was petite and the evening meal distinctly large and late, the Duchess proclaimed that she suffered from a “sinking feeling” at around four o’clock in the afternoon.

Afternoon tea at the Saxon, Johannesburg
Afternoon tea at the Saxon, Johannesburg

At first, she had her servants sneak her up a pot of tea and a few dainty morsels of bread to tide her over. But as time went on, she adopted the habit of inviting friends to her rooms in Belvoir Castle, Leicestershire, during the summer months to indulge in a cup of tea and a bite to eat at five o’clock.

 

Her menu consisted of bread and butter sandwiches, small cakes and assorted sweets – and the practice proved so popular that she transported it to London when she returned for the Season. There she sent cards to friends asking them to join her for “tea and a walking in the fields” and her quaint idiosyncrasy was quickly picked up and emulated by other society ladies, making it quite the thing to do.

 

At this point though, I feel I must inject and clarify the difference between afternoon tea and a cream tea, which is something different again and is actually thought to be a much older tradition. According to local historians, the dish was actually created by monks at the Benedictine Abbey in Tavistock, West Devon, around 1,000 or so AD.

 

Cream tea

 

They had suffered their home being plundered and wrecked by a band of marauding Vikings, but Ordulf, Earl of Devon, sent some workers to try and sort out the mess. They were lucky enough to be fed on plates of bread, clotted cream and strawberry preserves for their trouble – and so the Devon cream tea was born, although the bread eventually morphed into scones, of course.

 

Anyway, so popular did the cream teas prove that the monks continued serving them to passing travellers, which saw their fame only grow and spread – although such idle talk is, of course, hotly disputed by arch-rival Cornwall, which also claims the cream tea as its own.

 

But there is, of course, a significant difference between the two varieties: After breaking (rather than cutting) their scone in two as is correct practice, the good people of Devon cover each half with thick clotted, (rather than whipped cream, God forbid) before putting strawberry jam on top. In Cornwall, however, it is de rigueur to butter your scone first, layer on your strawberry jam and then complete the whole pretty picture with the aforementioned cream dollop.

Cream tea
Cream tea

On a final note though, there is, unsurprisingly given its origins, a whole raft of etiquette associated with the afternoon tea tradition, which I learned by strange coincidence only the week before my Luton Hoo jaunt from a speaker at a Women’s Institute meeting. Although my pearls of wisdom were to fall on deaf ears on the day itself, I nonetheless did attempt to appraise my recalcitrant audience of the finer points. These include:

 

  • placing your napkin on your knee as soon as you sit down, ensuring it’s folded down the middle into a rectangle shape, with the fold facing your stomach. If you have to leave the table at any point (not recommended), be careful to fold the napkin up and place it on your chair rather than just dumping it down on the table, covering your fellow guests with crumbs in the process
  • putting sugar in your cup first, followed by tea. Last of all comes the milk – a sign in the old days that you were wealthy enough to afford porcelain rather than regular china, which would shatter with the heat if milk wasn’t poured in first to cool it
  • stirring your tea by placing your spoon at six o’clock and folding it towards the 12 o’clock position, being careful not to chink against the sides and set everyone’s teeth on edge.

 

So as you can see, although such great English habits may appear to have been invented quite arbitrarily to confuse the lower classes, there is some rhyme and reason to them, no matter how obscure.

 

 

 

Durham Miners’ Gala: End of an era?

June and July are peak festival season in the UK. Whether we’re talking traditional county shows, extravagant food fairs or music fests such as Glastonbury, we Brits certainly seem to enjoy a bit of commingling once the sun pokes its head out from behind the clouds – or even if it doesn’t actually.

 

Maybe it’s something to do with those long summer days with their 15 to 16 hours of unfettered sunlight that compels us all to go out and about so much – before it all fades to a memory again over the winter months and we’re lucky to see eight hours.

 

Whatever the cause though, some of my fondest memories of these seasonal festivities relate to the “Big Meeting” in my home town of Durham, which is known officially as Miners’ Gala (pronounced Gayler) and is now hitting the ripe old age of 145.

Durham
Durham

Whether it was meeting up with friends at the Racecourse and making myself sick on the funfair rides or seeing my first punk on Silver Street with my brother and Irish grandma, I always loved it. It was heartfelt fun and frolics and everyone went, whether they were of mining stock or not.

 

By the way, just for the record, my first punk was a perfect specimen of the kind you’d see years later on those tourist-y postcards – green Mohican, red tartan bondage trousers held together with safety pins and nose chain-to-ear piercings. And the 10 year-old me looked on transfixed as he pushed his way against the vast flow of human traffic. Which was all very symbolic, thinking about it. “Don’t look,” my grandma said as if she thought it might encourage him in his “boldness”. But I did anyway.

 

As for Big Meeting itself, it was traditionally always held on the second Saturday of July. First staged in 1871 by the Durham Miners’ Association (DMA), which still puts it on to this day, it quickly developed into the largest unofficial trade union gathering in the UK – hence the name, “Big Meeting”.

 

At its peak, the occasion attracted over 300,000 people, nearly five times more than the population of Durham City itself. And even though the last pit in the county closed in 1994, it still manages to pull in a very respectable 100,000 or so, presumably as some kind of nostalgia or heritage event – although I must admit that I haven’t quite been able to bring myself to partake of its faded glory.

 

David Hopper

 

And who knows if I’ll get the chance again now. David Hopper, a hard leftie and good marra (a local term for friend) of divisive Labour Opposition leader Jeremy Corbyn who he shared a platform with at the last Big Meeting, died of a heart attack only a week after the event.

 

But it was he who, as DMA secretary in charge of sorting out compensation for former pitmen, had organised the do for years. And it was he who more or less singlehandedly kept it going even after the pits went, creating “The Friends of the Durham Miners’ Gala” fund in a bid to secure its future.

 

But it was also Hopper who, controversially, uninvited a tranche of north-eastern Labour MPs to the official reception this year, branding those who had backed the Parliamentary vote of no confidence in Corbyn a few weeks earlier as “traitors”. They were also banned from sharing the traditional balcony at the County Hotel in Old Elvet, a place of honour from which union leaders, local dignitaries and Labour bigwigs had always waved to the miners as they marched past with their banners on the way to the Racecourse.

Miners' Gala
Miners’ Gala

Each pit village had a banner stitched lovingly by the women and, in the old days, it was paraded through the streets the night before the big day with the colliery brass band in accompaniment. Next morning, bright and early, the miners and their families – which was most of the village – would march behind said banner on their way into Durham, some of them half-cut and dancing despite the hour.

 

All the shops boarded up their windows, not only because of the crowds but also because of the drunks. The pubs were open from early morning till late at night and no traffic was allowed through the City.

 

It was a big day out and when it started, it was one of the few holidays that people got. The women would bake for days to have a picnic ready for the family, and they’d all spend their time at the Racecourse, which is actually one of the University’s sports grounds.

 

By the afternoon, the men would be down by the riverside milling around the podiums listening to the political speeches, while the women stayed with the children on the bank above enjoying the funfair, candy floss and good bit crack (good conversation, for the uninitiated). It was noisy, organised and eventful chaos, but all your mates would be there and you wouldn’t miss it for the world.

 

After the speeches, four or five specially chosen bands and banners would then march up to the Cathedral, our very own UNESCO World Heritage Site, for the Miners’ Service at 3pm. But the day went on well into the night too.

 

So we’ll see what happens now that David Hopper’s gone. Because without him, it could well be the end of a quite remarkable era.

 

 

 

 

Essex mysteries: The Dunmow Flitch Trials

Say what you like about Essex, but it is a county that knows how to celebrate its own, sometimes unusual history.

 

Take the Dunmow Flitch Trials, for example. Although they only take place once every four years in Great Dunmow, a small market town in north Essex, they apparently date back to the twelfth century, which makes them an astounding 900 or so years old.

 

And while I doubt the pantomime and light-hearted revelry of it all would have been particularly appreciated by peasants of yore, it certainly went down well with the present day audience last weekend, seated on plastic chairs in a marquee in Talberds Ley park.

 

The Trials are intended to establish the devotion of couples no matter where in the world they come from, who have been married for at least a year and a day. If, in the word of the Flitch Oath, they can persuade a judge and jury of six local maidens and six bachelors that they have “ne’er made nuptiall transgression”, indulged in “household brawls or contentious strife” and, most importantly of all “not wisht themselves unmarried agen,” they are awarded a flitch, or side, of bacon (basically, half a pig cut lengthways).

 

Dunmow Flitch
Dunmow Flitch

The Trials themselves, meanwhile, take the form of a court presided over by a Judge, in our case Dave Monk, who has been a radio presenter with BBC Essex for the last 30 years and played a slightly befuddled old soak. There were also four lawyers in full regalia, three of whom were actual real-life barristers and the other writer and witty stand-up comedian, Steve Bugeja.

 

Two of them were there to represent the couples or claimants, while the opposing counsel was employed on behalf of the Flitch, which stood demurely suspended from its wooden frame throughout the whole proceedings. The opposing counsel’s role was to test the claims of each couple and convince the jury not to grant them the bacon.

 

And so the entertainment began. It all kicked off with a lively procession of local majorettes, clog dancers, a town crier, the jury, barristers, a couple of big solid oak chairs and, of course, the Flitch, carried by burly local men or ‘simple folk’ in peasants’ smocks and straw hats from the Saracens Head Hotel in the middle of town to Talberds Ley.

 

Once in the marquee, my Beloved and I settled down to watch the two afternoon Trials (there are morning and evening ones too), one of which consisted of a couple who lived locally and had been together for 30 years, and another that hadn’t yet made their second year anniversary but who lived in Cambridge.

 

The older couple’s Trial was my favourite though. Soon after they’d first met, an event that he described as love at first sight although she wasn’t initially quite so keen, he’d been really eager to see her. So he tracked her down to one of several potential hospital sites (she’s a nurse) and left a pot plant for her outside the nursing station – his rationale being that cut flowers invariably got nicked.

 

But the defence for the Flitch construed that the real truth of the matter was that he’d stalked his poor Missus relentlessly until she eventually gave in and then got her hooked on drugs (pot plant – get it?). Needless to say, the couple lost and the Flitch won, but it was very amusing all the same.

 

Ancient tradition

 

On the way back to the Market Place though, it was their fate to make a walk of shame behind one of the two wooden Flitch Chairs – although they did seem remarkably cheery about it all. Luckily according to ancient custom, they were still entitled to a gammon (hind leg) of bacon, which actually seemed to morph into a bottle of champagne instead. But that was alright.

 

The second couple, however, who won their Trial in a well-matched contest of wits, were carried shoulder high through the streets on a Flitch Chair by the burly, local smock wearers. Once at the Market Place, they kneeled to take the Flitch Oath, resting somewhat uncomfortably on some stones, before the smock wearers all threw their hats in the air. And following the presentation of a certificate and bottle of champers to the winners, that was that – for another four years anyway.

 

Flitch winners
Flitch winners

Interestingly though, while Dunmow may not be the only place in Europe where the ancient tradition of rewarding marital harmony with a side of bacon exists, it is completely unique in still performing it – which it’s been doing on and off since 1104, it seems.

 

As to how the whole thing came about in the first place, however, the most popular story goes that Lord of the Manor in nearby Little Dunmow village, Reginald Fitzwalter and his wife decided to dress themselves up as humble peasants and beg for the blessing of the head of the local Augustinian Priory a year and a day after marrying. Impressed by their fervour, the Prior decided to reward them with a Flitch of Bacon.

 

On revealing his true identity though, Fitzwalter promised to bestow his land on the Priory on condition that a Flitch be awarded to any couple who could prove they lived a life of similar marital devotion and harmony. And by Geoffrey Chaucer’s day, the Trials had achieved such fame that he included mention of them in ‘The Wife of Bath’s Tale’ in his ‘The Canterbury Tales’, a collection of 24 stories that is deemed among the most important in English literature.

 

The tradition lapsed for a number of years during the 1830s, however, as it was considered “an idle custom bringing people of indifferent character into the neighbourhood”. But by 1855, it was happily revived by Victorian novelist and master of historical potboilers Harrison Ainsworth, following the publication of his popular novel ‘The Custom of Dunmow’. This recounts the efforts of a local publican to win the Flitch by marrying a succession of wives in a bid to find the perfect one for him. Which is certainly one way of going about it.

 

But as similar traditions are found across northern Europe, I’d be rather more inclined to side with British historian, Helene Adeline Guerber as to origins. Her theory goes that it can be traced back to an ancient Norse custom linked to the pagan Yule feast, which is celebrated today as Christmas.

 

Although Yule is mainly linked to Thor, the god of thunder, lightning, the protection of mankind and, interestingly, fertility, it is also important to the god Freyr. He was likewise a fertility god and often invoked by married couples for his ability to “bestow peace and pleasure on mortals”. Incidentally, he also rode about on a wild boar called Gullinbursti.

 

As a result of all this, a boar was eaten in Freyr’s honour at each Yule feast and could only be carved by a man of unstained reputation. This, in turn, led to the custom of rewarding married couples who managed to live in harmony with a piece of boar meat. So it’s not a huge jump to switch boar for bacon.

 

And with that particular little thought, I rest my case.

 

 

 

 

2016: The year of the great British icon

There must be something in the air. Because since the start of this year, British icons of great repute, not just at home but also abroad, have been hitting the headlines willy-nilly, serving to emphasise our stature in all things musical, literary and design.

 

The biggest event was the shocking but not altogether surprising death of David Bowie from liver cancer. I say not surprising because, while I, and undoubtedly others, hadn’t necessarily put two and two together at the time, when he released his melancholic “The Next Day” album in 2013, it did come across as a sort of nostalgic summing up of a glittering musical career. A kind of review, in fact, encapsulating and echoing all that had gone before. Which, given what we know now, does makes sense.

 

And then there was the subsequent “Blackstar” album and its “Lazarus” single in particular, which Bowie recorded as a final farewell to his millions of fans throughout the world, releasing it on his 69th birthday just two days before he died on 10 January. “His death was no different from his life – a work of art,” as Tony Visconti, his producer on Blackstar, “Young Americans” and his seminal Berlin trilogy, “Low”, “Heroes” and “Lodger”, aptly put it.

 

While maybe not quite on the same scale in terms of international stardom – unless you happen to be a punk/heavy rock fan, that is – Motorhead’s founder and frontman Lemmy also passed away last month too, only 48 hours after being informed that he too had an aggressive form of cancer, which was a mere four days after his 70th birthday.

 

Lemmy
Lemmy

What did make me smile through the tears though was the news of a petition, launched by his fans on activist website change.org, to name one of four newly-discovered heavy metal elements that are due to be included in the periodic table “Lemmium” in his honour. A tribute of which I’m sure Lemmy would have been proud. A tad surprised maybe, but nonetheless proud.

 

But famous pop stars aren’t the only British cultural exports being mourned at the moment. Another is motoring legend the Land Rover Defender, a 4×4 off-road vehicle renowned all over the world, which will, as of Friday 29 January, roll off production lines no more, having fallen foul of modern day emissions and crash test safety standards.

 

Something approaching two million of the iconic rattletraps have been made since first emerging on the scene in 1948 to be purchased by such high-profile personages as former Beatles singer Paul McCartney, actor Sean Connery and even video game star, Lara Croft – despite the fact they were originally designed for use by both the armed forces and farmers and were themselves based on the US Willys military jeep.

 

But it was actually Queen Elizabeth II who really made the alluring gas-guzzler synonymous with the UK when she was first spotted bouncing around behind the wheel of one in 1952 – and she’s understood to have owned quite a few of the things since.

 

 British cultural exports

 

Anyway, on a slightly more cheery note, it turns out that Landrover aficionado Sir Paul McCartney and the rest of his Beatle chums – yet another British cultural export of the music-making variety – have actually ended up giving quite a lot back to their local community of Liverpool, whether they particularly intended to or not.

 

Some 46 years after the Fab Four split up in 1970, a report commissioned by the City Council on the contemporary value of their legacy to the local economy, has revealed that it is worth an impressive £81.9 million a year and is growing at a rate of up to 15% per annum. Currently supporting more than 2,300 tourism-related jobs, the aim is to build on this foundation by relocating the British Music Experience, a museum of UK popular music since 1945, to the iconic Cunard building on the banks of the River Mersey from the O2 arena in London – once a third party operator can be found, that is.

 

But there is also talk of redeveloping Strawberry Field, the site of a Salvation Army children’s home in Woolton. It was in this garden that John Lennon apparently used to play as a child and after which he named his psychedelic rock song, ‘Strawberry Fields forever‘.

 

And such developments would appear to make sense too given the apparently rising popularity of The Beatles among young music fans both from the UK and as far away as Brazil and China, all of which is fuelling a new-found tourist boom.

 

Beatrix Potter's favourite characters
Beatrix Potter’s favourite characters

Just as popular elsewhere, meanwhile, has been the recent discovery of a long-lost manuscript by children’s author, Beatrix Potter, famous all over the world for her tiny illustrated books of whimsical characters such as Peter Rabbit and Jemima Puddleduck.

 

Fittingly, seeing as this year marks the 150th anniversary of Potter’s birth, the manuscript for “The Tale of Kitty-in-Boots” was tracked down by publisher Jo Hanks after she found a reference to it two years ago in a letter that Potter had written to her own publisher in 1914. As well as three manuscripts of the story, which according to Potter centres on a “well-behaved prime black Kitty cat who leads a rather double life”, Hanks also found a rough colour sketch of Kitty and a pencil rough of arch-villain Mr Tod too.

 

The new book, which is due to be published in September, likewise features some of the author’s best-loved characters such as Mrs Tiggy-Winkle and an “older, slower and portlier” version of Peter Rabbit.

 

Illustrated by cartoonist, Quentin Blake, amazingly, or perhaps not, it is already a bestseller, merrily topping Amazon’s book charts months before its official appearance – an impressive fact which just goes to show that once you’ve got it, you never really lose it.